Bob Weir Attends Grammy’s While Other Notable Scene Celebrity Boycotts (Photos)

While countless jam band fans boycotted the Grammy’s last night in an annual protest of an award show that’s viewed as a travesty by many, several Deadheads made haste to turn on CBS at showtime after word spread on social media that Bob Weir was in attendance. With Long Strange Trip nominated for ‘Best Music Film,’ a dapper looking Bob could be found sitting pretty on the floor amongst a star studded audience. What ensued was an impromptu game of “Where’s Bobby?: Grammy’s Edition.”

You can relive all of the hysteria and hullabaloo and play Where’s Bobby? using the screenshots above and at the bottom of page.

• In other news, HQ host, self-styled Phish phan and jam band acolyte, Scott Rogowsky, maintained his twenty year boycott of the Grammy’s, namely due to The String Cheese Incident not receiving an award in all those years. Despite his fevered protestations, he got down to the nitty gritty, getting the daily 9pm HQ show on the road.

Don’t know what HQ is yet? Find everything you need to know about the Phish reference-filled pocket-sized gameshow here.

More Where’s Bobby?:

Copyright © 2018 Stand For Jam™️

Please like our Facebook page, follow us on Instagram, or catch us on Twitter, so you don’t miss any future postings out of our camp.

A Rant on Rage Sticks – aka Festival Totems 

 

Source: Pinterest
by Russell S. Glowatz

This past weekend Pretty Lights put on an episodic festival in New Hampshire. In between sets, crew members were sent out to move a totem wielding fan from the front of the stage to the side, so lighting folks could do their job without an unobstructed view. Soon after, Pretty Lights’ lighting designer, LazerShark, worked up an anti-totem image to plaster on the screen at the back the stage. LazerShark was simply poking fun – His later post about the incident metes that out.

According to Live For Live Music, after the incident LazerShark commented: “Just to be clear since some people think it’s their right to be an inconsiderate douche. Your right to “self-expression” has not been banned at our shows. We simply just want both our crew and our audience to be able to enjoy the show how they intended. We could have simply confiscated this stupid jellyfish [totem] but instead we decided to have a little fun and prove a very simple point. Stand to the side dummies. Or I’m coming to your job with a giant sign that says fuck you and you can explain to your boss why some guy is interfering with your work.” 

Source: Live For Live Music

I’m going to take LazerShark’s sentiment to the next level. Ban those fucking rage rods altogether. There’s a thousand ways to express yourself at a festival without getting up in people’s faces. You can sing, dance, wear crazy clothing, go nude, paint your face, wear no makeup at all, carry around a super heady backpack with all your pins and swag on it, hand out cards to everyone with your favorite inspirational quote, etcetera, etcetera, ad nauseam. These totems are the epitome of getting up in others’ spaces – If you rock one, your selfishness outweighs your self-expression tenfold.  

Ban those completely inconsiderate “I’m the center of the universe” poles. Friends don’t let friends bring cock sizing rods to festivals. If you have a friend or relative putting together one of these silly spikes, stop them immediately. Break that thing in half! They’ll be pissed at you in the present, but will thank you down the line. Imagine an episode of Intervention, except the only drug your loved one is high on this time is their own ego. 

“But wait, I need my totem to find my friends!” If you seriously need one of these oversized sceptres to find your friends at a fest (in 2017!!!) you should be banned from the grounds, as you’re clearly a danger to others and yourself. If American soldiers could find their comrades in the jungles of Vietnam with a compass and the stars, why can’t you find your buddies in a crowd at a festival – when literally everyone is a walking GPS these days? Oh, you say you left your phone in your car? Cool, then make a meeting spot where you can all gather at a specific time! It’s really simple shit we’re talking about here.  Being considerate of staff and your fellow festival goers, I would presume is paramount for most people attending such events. The rage stick violates these central tenets. If one walks around a fest with such an unwieldy staff, you’re breaking the Golden Rule without even knowing it.  

Sure, festivals are the last Wild West – A place to break free from the confines of meager existence to celebrate life to the fullest. But are rage sticks really necessary to rage life to the fullest?! Hell no! Party, get schwilly (do people still say schwilly?), get down, get dirty, and express yourself to your heart’s desire, just leave your beanstalk at home (or at least your campsite). It’s simple. And if you’re seriously having issues giving up your Napoleon Complex pole, therapy might be a good outlet. End rant.  

 

Copyright © 2017 Stand For Jam™️

Please like our Facebook page, follow us on Instagram, or catch us on Twitter, so you don’t miss any future postings out of our camp.

 

Phish Just Dropped The Sweetest New Years Gag – Shana Tovah!

by Russell S. Glowatz

L’shana Tovah Tikateyvu! Phish does what they do best, and played a silly awesome joke on us with the announcement of New Year’s Run 2017 on the eve of the Jewish new year. Rosh Hashanah and 5778 will start off with a bang thanks to Phish. As half the band falls squarely in the Jewish camp, the nuance of announcing the run on this date may fly over some Phans heads, but not this Hebrew fella here. While I never thought it possible, my love for this band just jumped up a notch. Was this a coincidence? Maybe. Was it a planned, yet subtle joke? Likely. These guys rock the gags almost as well as their instruments – And it looks like we might get that 2017 Avenu Malkenu after all!

While this was the worst kept secret in the Phishaverse since the very end of The Baker’s Dozen, it’s now official and feels oh so sweet. Seventeen shows in 2017 is happening – Even Billy Joel can’t compete with a record run like this. When Phish is all said and done, they will have played 56 shows at Madison Square Garden, since their debut at the World’s Most Famous Arena on December 30, 1994.  

For the 2017 New Year’s extravaganza, we are graced with a perfect show weekend, as New Year’s Eve falls on a Sunday – And a Thursday to Sunday News Year’s Run falls in that magic sweet spot. Supercalifragilisticexpialidocious is the only word that comes to mind as thoughts turn towards New Year’s in every way imaginable. Into The Garden we go again for another Phish pageant of perfection! 

Down to the details – The lottery pre-sale is already underway via Phish Tickets, and ends on Monday October 2, at 10 a.m. EST. Public on-sale for all the shows are scheduled for Friday October 6, at 12 p.m. EST. A limited number of 4-day passes are available. The rest of the brass tacks are available via the above link. Much luck to all on their quest for golden tickets!

Apples & honey, challah french toast, and Phish…ohhh myyyyy! Love and light to all of you in the New Year!

Copyright © 2017 Stand For Jam™️

Please like our Facebook page, follow us on Instagram, or catch us on Twitter, so you don’t miss any future postings out of our camp.

Why Do Phish Phans Hate Twiddle? In their own words… 

When a Gut Reaction Strikes a Fit of Passion

by Russell S. Glowatz

Lately it occurs to me that a large, or at least excessively vocal sector of Phans hates the up and coming jam act known as Twiddle. The phenomenon confounds me, yet is born out time and time again on Facebook, Twitter, PT, Phish.net, etcetera. Sometimes the chatter is so loud and inundating that these Phish groups should consider a name change. Twiddle Gripers 2017, or Friendly Twiddle Bitchers are names that ring right when peak Twiddle bellyaching is reached.  

“Hate” is a strong word, yet it’s the one most frequently confronted when talking Twiddle with Phans. Since most of these conversations are had on the interweb, a medium that often appeals to our lowest common inclinations, I considered that Phans might have a more nuanced and toned down take on the subject in person. As I set out to discuss all things Twiddle with Phans, live at The Baker’s Dozen this past summer, I had no sense how wrong I’d be proven.  

In his or her natural habitat, the Phan’s hatred for Twiddle is immensely exacerbated. The Phish heads I met outside Madison Square Garden were extremely passionate, did not mince words, and were sometimes intimidating. Apparently for the most ardent of the Twiddle hating Phans, even bringing up the jam band’s name at a Phish show will harsh their vibe – I learned this the hard way.  

When I first arrived at Penn Station on Powder night, I encountered a Phan named Eggz looking for a ticket with his finger held high by the escalators. When I mentioned that I was interviewing Phans before the show, his eyes lit up with interest and excitement. He introduced himself, mentioned that he had to get to all nights of The Baker’s Dozen so he could complete what he called his “baker’s hundozen” (his 113th show would fall on the last night of the run), and he meticulously made certain that I understood “Eggz” was spelled with a “Z.”  

After some small talk I asked if he was into Twiddle. The previously mellow, and somewhat excitable Eggz, quickly morphed into a defensive posture. “Twiddle? Twiddle, brah?! Love my dick relentlessly! Twiddle this and get the fuck outta here!” He abruptly shuffled away, yelling “who’s got my miracle or good deal?!” 

A little bit flustered by my first encounter, I left Penn Station and perched myself under the Darin Shock mural in the main entrance to MSG. Shaking the Eggz experience off, I quickly approached my next subject. Davey Donuts was an English major at SUNY Oneonta, spending the summer before his last year in college on Phish tour. His non-Phan friends gave him his nickname after he profusely and only talked about The Baker’s Dozen since its announcement.

I asked him what he thought of Twiddle. His face immediately transformed from an expression of chill to complete and utter disgust. He bellowed “Twiddle blows! Typical, white, college kid, super cheese, middle class, trust fund baby band.” When I suggested that he essentially described half of Phish’s audience, including himself, he fake lunged at me, scoffed, and scurried away.  

Graphic Credit: twiddlesoundsliketurds.info

Completely verklempt at this point, turning and churning the thoughts in my head, I set my sights on the Pennsy where I could take a load off, take the edge off, and regroup. I struck up a conversation with Katy, whose online handle is Starchild Kind Kat.

When I apprehensively touched upon the elephant in the room, she remarked that she “tried listening to Twiddle once. [She] couldn’t even get through the whole song, Jamflowdude or something? They sounded so derivative. They just plain ripped off Phish, and thought we wouldn’t notice?! Losers!” When I suggested that many would consider imitation a great form of flattery, she said “fuck that,” and walked away with her friends. While scattering, I heard her say to her buddies that “I hope they play a Jerry song tonight!” 

I wasn’t feeling the nuance, I wasn’t feeling the love. As I walked outside, a cool breeze made me think about the situation – At this point I decided to bag this whole endeavor, go inside, get a spicy chicken sandwich, and enjoy the show. After going through security, and double timing it to section 119 before the half off promotion ended, I found an empty table to eat my sandwich in peace. Soon a Phan asked if they could share the spot with me. When I obliged and went to introduce myself, I almost choked on my chicken upon seeing his t-shirt. The shirt had a Phish emblem on it with Twiddle written in the middle. Blown away, I asked my new friend Matty if we could rap about this Twiddle hating Phan phenomenon.  

A fan of both Twiddle and Phish, Matty was down to dish. As a former psychology major at UC Berkeley, he already came up with a few interpersonal theories on the subject. Matty stated “There’s a large sector of Phans that have been teased for years by their Grateful Dead loving counterparts, so now they need a little cousin to pick on – Enter Twiddle.” His second hypothesis centered around the notion that “many Phans see Twiddle as a legitimate threat to Phish’s legacy, and in turn hate them without giving them a real shot. This is purely a mechanism to secure Phish’s survival as The Beatles of the current jam band scene.”  

Pleasantly surprised by Matty’s articulate and well thought through responses, he hit me with one last thought. “Maybe Phans aren’t willing to give Twiddle a real shot because they can’t look passed their nonsensical name. Maybe when folks are so enamored by one band, it becomes hard to open their minds to newer music.” When my eyes wandered sideways pondering Matty’s words, I caught Sam Cutler walking by, powdered donut clenched in one hand, ticket in the other, looking for his seat.  

Soon after, Sam Cutler would go down in inPHamy for his hilariously close-minded rant about his experience catching four Phish songs live. Often I see shades of his rant in Phan conversations about Twiddle. The donut does not fall far from the bakery, and no one really gives a crap about what bands one doesn’t like – Different strokes for different folks. I cannot count the amount of times I’ve had these same conversations with Deadheads about Phish. A pattern is forming.  

This has been (mostly) satire brought to you by Stand For Jam. The sentiment is real – The quotes were inspired by real comments – The interviews did not happen – I did not see Sam Cutler on Powder night, yet ran into him a few days prior at JRAD…and I got my Sec 119 Spicy Chicken Sandwich on Holes night!

 

Copyright © 2017 Stand For Jam™️

Please like our Facebook page, follow us on Instagram, or catch us on Twitter, so you don’t miss any future postings out of our camp.

Leaked!!! PHISH New Years Stunt 2017: Maybe So and Maybe Not

EXCLUSIVE: An anonymous source, from the upper echelons in Phish camp, leaked an early draft of the 2017 New Years Stunt! Between you and I, all signs point to Mike's Lipstick Tech as the culprit...

graphic credit: @tricecat (Instagram)

Set Opens:

  • Stage is dark, spotlight appears on Page already at his keys. He’s in a black suit jacket, tie & blue jeans (dressed familiar, like someone we love to loathe)…
  • Page opens Prelude/Angry Young Man*…
  • Crowd goes wild, with a few intermittent boos, woos, and hisses…
  • Song proceeds passed intro, with Page on vocals, and lights rise to reveal the rest of the band as they dive deep, reimagining the tune as their own…
  • Mid Prelude-jam, a troupe of dancing mechanics in blue collar jumpsuits (led by a Christie Brinkley impersonator – think Uptown Girl music video circa 1983) walk out from stage left to take positions on risers behind, and in front of the band. They begin to do a broadway style dance while singing verses from the song (Trey inserts Allentown teases). More angry young blue collar mechanics are lowered from the ceiling, completing epic acrobatic stunts while joining in song…
  • This Broadwayesque spectacle continues for a moment, when all of a sudden, what appears to be a drunken disheveled man (dressed in a Jon Fishman muumuu) stumbles in from side stage…
  • He begins to sing the “Stop right there! I gotta know right now! Before we go any further! Do you love me?” verse from Meatloaf’s “Paradise By The Dashboard Light”…
  • Security is in hot pursuit (circa Naked Guy Out Of Control 2009) but Trey waves them off…its Billy Joel!
  • Billy’s medley is interrupted when Fish suggests they all let bygones be bygones
  • Billy heads over to the keys, and joins Page on “Army Of One%.” The Chairmen Of The Boards duel on vocal verses and keyboard riffs…
  • Billy clearly bests Page in this jaunt, and the crowd boos in disapproval. Page leaves the stage in shame, while the rest of the band joins with Billy to complete “Army Of One.”…
  • Trey incorporates We Didn’t Start The Fire references, while taking the song deep into type II territory. Billy Joel now seems in over his head…
  • Page miraculously reappears strapped with a keytar as the type II jam peaks in blissful terrain…
  • Page drops a keytar bomb of such magnitude, it rattles the Garden, and knocks Billy Joel off his feet…
  • New years countdown begins (10, 9, 8…)
  • Joel is taken offstage in a stretcher by paramedics in the midst of Auld Lang Syne…
  • Phans’ rejoice and the band launches into an unprecedented up tempo Billy Breathes+…
  • Incorporates Allentown teases, w/ Angry Young Man lyrics…
  • Billy Breathes segues into Goodnight Saigon#>Allentown#>Goodnight Saigon>Pressure@>2001…
  • At this point, Billy Joel busts back on stage in a hospital gown, and his mask is quickly torn off by security…it was really CK5 the entire time!
  • CK5 exclaims “I would’ve gotten away with it too, if it wasn’t for you meddling phans!”
  • ENCORE: Character Zero^

*   – Phish debut, with Allentown teases by Trey
% – We Didn’t Start The Fire references by Trey
+  – Allentown tease with Angry Young Man lyrics
#  – Phish debut
@ – Phish debut, unfinished, with a Moma Dance jam
^  – During Character Zero, Mike teases Scooby Doo, Where Are You? theme song

  • Prelude/Angry Young Man featured a dancing troupe of acrobatic mechanics led by a Christie Brinkley impersonator
Phantasy Stunt by Russell S. Glowatz

© Stand For Jam, 2017.

Please like our Facebook page, Stand For Jam, or follow us on Twitter @StandForJam, so you don’t miss any future postings out of our camp.