Vibrating With Love, Light & Phish – The Baker’s Dozen Revisited

The Love is in The Journey, and the Juice Was Worth the Squeeze

Screenshot via LivePhish – 8/6/17 – Glaze
by Russell S. Glowatz

It all began with a chance encounter with Sam Cutler at the Joe Russo’s Almost Dead show on July 21, 2017. An epic weekend was sprawled out before me, beginning with JRAD, before catapulting head first into The Baker’s Dozen on night two – strawberry donut night. Sam was extremely gracious – we discussed his part in Long Strange Trip, and he took a moment to take a photograph. I was enamored by the meeting, and thought it to be a good omen setting out upon my musical journey. Little did I know that only a few days later, Sam would head to a Phish show as well, proceeding to sodomize our favorite band in a scathing Facebook review. 

The encounter and subsequent “eff you” he laid out in glorious fashion on the internet, highlights the intricate web that’s often weaved when seeing Phish. That photo of us was first a point of pride, yet quickly became a moment of chagrin before swiftly transcending into the hilarious heirloom it currently remains. It’s a mix of kismet and karma, with a dash of humor, and the joke is always on us! Over the course of The Baker’s Dozen, Phish enthralled us with what they do best – a fusion of supreme song, epic jams, and harmonious humor running the gamut from donut themes, to transcendent “Lawn Boy” improvisation. As a clan we pick up on the synchronicity and jocularity, throw it back in the bands face, only for them to flip it back on us. 

Is This Still Lawn Boy? via Etsy.com
Via LivePhish webcast – Intermission – 8/4/17 – Lemon

Recently laid off, setting out upon the world of donuts was going to be a frugal affair by necessity. Budget and logistics permitting, I would be lucky to attend two of these shows – maybe three if the donut-shaped universe was on my side. Little did I know that when all was said and done, I’d have the pleasure to experience seven glorious Baker’s Dozen performances in person, with a few more on the couch to boot – and through all of this, I still had a few bucks in the bank at the end of session. It was the most pleasant surprise, and served as a stupendous silver lining atop of my newfound unemployment.

Perched at my seat in the riser section for night two, my first foray into a world that runs on dunkin’, a Phan walked by and handed me a fresh pack of pocket tissues – He said “You’re gonna need these bro – You’re gonna cry tonight!” While tears never materialized (until “On The Road Again” of course) , I certainly cried “Joy” on the inside, and this portable pack of tissues came in handy for the entirety of the run. Every night I carried those tissues in my pocket, and nearly every night they were used by myself or a Phan in need nearby. And when the mid-run Baker’s Dozen wook flu hit me like a bat out of hell, the tissues were there to soothe my soul. Thank you tissue man, not only for gifting me extremely handy show gear, but for reminding me that with the right attitude, you will always get what you need when you need it, if you give what you can when you can.  

Via LivePhish webcast – Intermission – 8/4/17 – Lemon

The law of attraction on steroids is often what many experience at shows and festivals, and this small yet relevant tissue saga serves to highlight that phenomenon. Little karmic anomalies dotted my whole run at YEMSG, from buying a bar stool ticket by accident on Jam night (turned out to be the best mistake ever!) to getting a miracle ticket on Powder night. That miracle ticket led me to taking in a show with one of my oldest friends – we haven’t been at Phish together since Jones Beach on the reunion tour, so it was a special moment to say the least – we partied like it was 2009. Showing up on Maple night with the expectation of a Jerry song (since it was his 75th birthday) – and getting a Drums & Space nod mid “46 Days” – plus a “Rock ‘n’ Roll Suicide” encore instead – reminded me to never have expectations at a Phish show. When I showed up with zero expectations the next night to Holes, I was rewarded with one of the greatest shows of my lifetime. With positivity and a heightened karmic awareness, synchronicity is boundless – and as a collective we achieved something otherworldly at The Baker’s Dozen – not everyone in the building felt it – yet most did – Lift off!

Holes – 7/2/17

When it comes down to it, we all know it’s more than just a show, just a run, or just a festival – this is a community, our community, a lifestyle we choose to live and love. The Baker’s Dozen embodied the goodness that the Phish community offers in the most magnificent way. We laughed, we danced, we cried, we sang. We were stupefied, awestruck, amazed, and blazed. We made new phriends, met up with old compatriots, and ran into folks we never thought we’d see again. We tried new things, like Section 119 Spicy Chicken Sandwiches, or “Strawberry Letter 23” – And we basked in the familiarity of old things, like a favorite Phish t-shirt, Trey’s spaced guitar face, and the Meatstick Dance. This was more than a residency of shows – this was a fleeting love affair with a band beyond description and its eclectic followers. The feeling will certainly be revisited at shows in the future, yet it will be different by then – a different time, a different space, a different energy. 

If one could bottle the dynamism of The Baker’s Dozen and distribute it far and wide, it wouldn’t be The Baker’s Dozen anymore. Just like everyone that experienced The Great Went, Big Cypress, Lemonwheel, or IT, this run slipped through our fingers as quickly as it arrived – and that’s the beauty of it! For a meteoric moment in time we experienced a flash in a pan, so bright, so beautiful, so full of boundless love, we’ll take memories of it with us through the rest of our existence. Now it lives in our photographs, videos, the soundboards, and our collective consciousness for eternity. This was a redefining run for Phish – and for me – an array of events that has catapulted my life and creative sensibilities in a new direction. All these weeks later, with a New Year’s extravaganza on the horizon, I’m still buzzing, as I’m sure are many of you.  

Photo Credit – René HuemerPhish From The Road

Love, light, and good vibrations to you all. To the countless new phriends I made at The Dozen, until we meet again – see you for another Garden New Year’s in a few months. Our trip is short to YEMSG reprise – Seventeen in Seventeen! “When you bait the hook with your heart, the [Phish] will always bite.” 

Photo Credit – René HuemerPhish From The Road
Hoodboy is What’s Eating Gilbert Grape by N13

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Phish Just Dropped The Sweetest New Years Gag – Shana Tovah!

by Russell S. Glowatz

L’shana Tovah Tikateyvu! Phish does what they do best, and played a silly awesome joke on us with the announcement of New Year’s Run 2017 on the eve of the Jewish new year. Rosh Hashanah and 5778 will start off with a bang thanks to Phish. As half the band falls squarely in the Jewish camp, the nuance of announcing the run on this date may fly over some Phans heads, but not this Hebrew fella here. While I never thought it possible, my love for this band just jumped up a notch. Was this a coincidence? Maybe. Was it a planned, yet subtle joke? Likely. These guys rock the gags almost as well as their instruments – And it looks like we might get that 2017 Avenu Malkenu after all!

While this was the worst kept secret in the Phishaverse since the very end of The Baker’s Dozen, it’s now official and feels oh so sweet. Seventeen shows in 2017 is happening – Even Billy Joel can’t compete with a record run like this. When Phish is all said and done, they will have played 56 shows at Madison Square Garden, since their debut at the World’s Most Famous Arena on December 30, 1994.  

For the 2017 New Year’s extravaganza, we are graced with a perfect show weekend, as New Year’s Eve falls on a Sunday – And a Thursday to Sunday News Year’s Run falls in that magic sweet spot. Supercalifragilisticexpialidocious is the only word that comes to mind as thoughts turn towards New Year’s in every way imaginable. Into The Garden we go again for another Phish pageant of perfection! 

Down to the details – The lottery pre-sale is already underway via Phish Tickets, and ends on Monday October 2, at 10 a.m. EST. Public on-sale for all the shows are scheduled for Friday October 6, at 12 p.m. EST. A limited number of 4-day passes are available. The rest of the brass tacks are available via the above link. Much luck to all on their quest for golden tickets!

Apples & honey, challah french toast, and Phish…ohhh myyyyy! Love and light to all of you in the New Year!

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Why Do Phish Phans Hate Twiddle? In their own words… 

When a Gut Reaction Strikes a Fit of Passion

by Russell S. Glowatz

Lately it occurs to me that a large, or at least excessively vocal sector of Phans hates the up and coming jam act known as Twiddle. The phenomenon confounds me, yet is born out time and time again on Facebook, Twitter, PT, Phish.net, etcetera. Sometimes the chatter is so loud and inundating that these Phish groups should consider a name change. Twiddle Gripers 2017, or Friendly Twiddle Bitchers are names that ring right when peak Twiddle bellyaching is reached.  

“Hate” is a strong word, yet it’s the one most frequently confronted when talking Twiddle with Phans. Since most of these conversations are had on the interweb, a medium that often appeals to our lowest common inclinations, I considered that Phans might have a more nuanced and toned down take on the subject in person. As I set out to discuss all things Twiddle with Phans, live at The Baker’s Dozen this past summer, I had no sense how wrong I’d be proven.  

In his or her natural habitat, the Phan’s hatred for Twiddle is immensely exacerbated. The Phish heads I met outside Madison Square Garden were extremely passionate, did not mince words, and were sometimes intimidating. Apparently for the most ardent of the Twiddle hating Phans, even bringing up the jam band’s name at a Phish show will harsh their vibe – I learned this the hard way.  

When I first arrived at Penn Station on Powder night, I encountered a Phan named Eggz looking for a ticket with his finger held high by the escalators. When I mentioned that I was interviewing Phans before the show, his eyes lit up with interest and excitement. He introduced himself, mentioned that he had to get to all nights of The Baker’s Dozen so he could complete what he called his “baker’s hundozen” (his 113th show would fall on the last night of the run), and he meticulously made certain that I understood “Eggz” was spelled with a “Z.”  

After some small talk I asked if he was into Twiddle. The previously mellow, and somewhat excitable Eggz, quickly morphed into a defensive posture. “Twiddle? Twiddle, brah?! Love my dick relentlessly! Twiddle this and get the fuck outta here!” He abruptly shuffled away, yelling “who’s got my miracle or good deal?!” 

A little bit flustered by my first encounter, I left Penn Station and perched myself under the Darin Shock mural in the main entrance to MSG. Shaking the Eggz experience off, I quickly approached my next subject. Davey Donuts was an English major at SUNY Oneonta, spending the summer before his last year in college on Phish tour. His non-Phan friends gave him his nickname after he profusely and only talked about The Baker’s Dozen since its announcement.

I asked him what he thought of Twiddle. His face immediately transformed from an expression of chill to complete and utter disgust. He bellowed “Twiddle blows! Typical, white, college kid, super cheese, middle class, trust fund baby band.” When I suggested that he essentially described half of Phish’s audience, including himself, he fake lunged at me, scoffed, and scurried away.  

Graphic Credit: twiddlesoundsliketurds.info

Completely verklempt at this point, turning and churning the thoughts in my head, I set my sights on the Pennsy where I could take a load off, take the edge off, and regroup. I struck up a conversation with Katy, whose online handle is Starchild Kind Kat.

When I apprehensively touched upon the elephant in the room, she remarked that she “tried listening to Twiddle once. [She] couldn’t even get through the whole song, Jamflowdude or something? They sounded so derivative. They just plain ripped off Phish, and thought we wouldn’t notice?! Losers!” When I suggested that many would consider imitation a great form of flattery, she said “fuck that,” and walked away with her friends. While scattering, I heard her say to her buddies that “I hope they play a Jerry song tonight!” 

I wasn’t feeling the nuance, I wasn’t feeling the love. As I walked outside, a cool breeze made me think about the situation – At this point I decided to bag this whole endeavor, go inside, get a spicy chicken sandwich, and enjoy the show. After going through security, and double timing it to section 119 before the half off promotion ended, I found an empty table to eat my sandwich in peace. Soon a Phan asked if they could share the spot with me. When I obliged and went to introduce myself, I almost choked on my chicken upon seeing his t-shirt. The shirt had a Phish emblem on it with Twiddle written in the middle. Blown away, I asked my new friend Matty if we could rap about this Twiddle hating Phan phenomenon.  

A fan of both Twiddle and Phish, Matty was down to dish. As a former psychology major at UC Berkeley, he already came up with a few interpersonal theories on the subject. Matty stated “There’s a large sector of Phans that have been teased for years by their Grateful Dead loving counterparts, so now they need a little cousin to pick on – Enter Twiddle.” His second hypothesis centered around the notion that “many Phans see Twiddle as a legitimate threat to Phish’s legacy, and in turn hate them without giving them a real shot. This is purely a mechanism to secure Phish’s survival as The Beatles of the current jam band scene.”  

Pleasantly surprised by Matty’s articulate and well thought through responses, he hit me with one last thought. “Maybe Phans aren’t willing to give Twiddle a real shot because they can’t look passed their nonsensical name. Maybe when folks are so enamored by one band, it becomes hard to open their minds to newer music.” When my eyes wandered sideways pondering Matty’s words, I caught Sam Cutler walking by, powdered donut clenched in one hand, ticket in the other, looking for his seat.  

Soon after, Sam Cutler would go down in inPHamy for his hilariously close-minded rant about his experience catching four Phish songs live. Often I see shades of his rant in Phan conversations about Twiddle. The donut does not fall far from the bakery, and no one really gives a crap about what bands one doesn’t like – Different strokes for different folks. I cannot count the amount of times I’ve had these same conversations with Deadheads about Phish. A pattern is forming.  

This has been (mostly) satire brought to you by Stand For Jam. The sentiment is real – The quotes were inspired by real comments – The interviews did not happen – I did not see Sam Cutler on Powder night, yet ran into him a few days prior at JRAD…and I got my Sec 119 Spicy Chicken Sandwich on Holes night!

 

Copyright © 2017 Stand For Jam™️

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Meet Meatstick Girl – An Exclusive Q&A with the Latest Webcast Legend


On the last night of the Dick’s Run and the end of the epic 2017 summer tour, Phish graciously offered us a free webcast so everyone that desired could share in the groove. During Meatstick, I was taking a couple of screenshots, as I sometimes do to create silly content down the line (weird but true). While I was intently focused on catching Trey in the midst of the glory that is the Meatstick Dance, another bright soul popped upon the screen like sunshine after stormy weather. I caught the above photo of this Phan, and quickly worked up a meme in her honor. Since then, she has been collectively dubbed #MeatstickGirl by Phans across Phish nation, as she added a bit of extra glitter to an otherwise energetic rendition of the tune. She has been honored far and wide across the interweb these past days, and deserves every bit of recognition.

Meatstick Girl was the highlight of couch tour for many that evening – Dazzling us with her spot-on execution of the dance, and her euphoric arm pump and freestyle moves, as Trey ripped into a stupendous solo after the choreographed caper was over. She reminded us that at a show we’re all players in the band, as the music plays us. Yet this is far from the first time an enraptured entity from the crowd has gained notoriety through a Phish webcast. As the term “webcast famous” is entering the lexicon of more and more Phans, Meatstick Girl will no doubt go down in the upper echelon of the webcast hall of fame. From the tuned in Nicholas Peter Orr, dubbed #Hoodboy, to the ethereal Nathan Tobey, knighted #StashGuy, and lest not forget the happiest man at The Baker’s Dozen (don’t have a name for this delighted dude), christened #CaspianGuy. All these folks are falling prey to the whims of the webcast gods, and their lives as Phans have been irrevocably altered, certainly in some ways, after their dance with simulcast serendipity.

Is this a good thing, bad thing, or does it fall somewhere in between? Luckily for us, Meatstick Girl has arisen out of the woodwork, and affably accepted a Stand For Jam invitation to participate in a good old-fashioned Question & Answer session. Initially I provided her with ten questions, certainly covering her newfound notoriety, but also encouraging her to dive deep on other issues concerning all things Phish. Then I came up with one last question, turning this epic Q&A all the way up to eleven.

 The full complete Meatstick Girl - Fast forward to 2:26 for the part that made her webcast famous! Thanks to Joel Mazur & Mike Gregory for helping to curate this video!

Introducing (drum roll)………….Heather Craig! Heather wanted to take her time with these questions, felt empowered by the platform, and simply did not want to phone it in. Upon receiving her answers, she commented that “these questions struck many chords with [her] and [her] internal relationship with this magnificent music” – The spirit with which she attacked these queries and her articulately animated answers m̶e̶a̶t̶ mete that out…

Stand For Jam (SFJ): How does if feel to be webcast famous? Did you have any sense the camera was trained on you at that moment?

Heather Craig (HC): I had no idea the camera was on me, but when you’re down there, you always know there’s a possibility of being seen. I think that’s one of the great things Phish gives us all – the ability to be truly ourselves even when presented with the possibility of being observed by hundreds of thousands, whether it’s on the webcast or in the thick of the crowd. What we’re talking about is one of the most terrifying feelings – putting your freest self out into the world without any sort of reassurance of being accepted, but I feel that as long as you’re accepting of yourself, you’re open for whatever the moment asks of you. There’s this internal rhetorical question constantly being asked when I’m at shows: Can you let go of everything that’s holding you back and simply be with us right here for this small moment in time?

SFJ: With Hoodboy, Stash Guy, Caspian Guy, and now you, Meatstick Girl, how do you feel about Phans picking up on these webcast moments, making memes and making folks Phish famous? Is this an invasion of privacy? Where do you think the line should be drawn or if there should be a line at all?

HC: “I am he as you are he as you are me and we are all together”

I feel if happiness comes from making these memes, I’m all about it! Once the moment was over, it became etched in time and unchangeable. It’s no longer who I am – it’s who I was, a past moment. I personally don’t feel that it is an invasion of privacy. If I were a more reserved person who still wanted to be close to the source within the first 5 rows of the stage, I feel actions could be taken to ensure you don’t end up on the screen. One way could be to walk up before the show starts and introduce yourself to the staff and ask them nicely to not record you, or you could always wear a hat or get silly and rock a handmade mask to cover your face. If you don’t mind being further from the stage, then usually you can have a more private experience.

SFJ: How many Meatsticks have you experienced live? When was your first Meatstick? What does it take to master the Meatstick, as you have done? What’s your secret?

HC: I’ve experienced Meatstick live 9 times (9 times? 9 times.) *Bueller, Bueller* 😛 My first one was at Dick’s 8/31/12, when they spelled Fuck Your Face, an unbelievable show to recall! Whew! Anyway, I was shown the dance by a friend but never practiced it before going to the show. I remember standing in the crowd, around Page Side soundboard area, and I was singing along and a guy next to me says, “Nice! You know the Japanese lyrics, but do you know the dance?!” I think he then tried to teach me, but suffice to say, we both needed practice. Fast forward through a few years of taking out the Meatstick to Grand Prairie 10/25/16 where I followed Mike’s choreography, and from that moment the Meatstick dance became a movement my body would know how to recreate. I’m a student who has a great teacher. The secret to many things is silliness, and surrender truly is the trick. Phish has given me that insight, and I try to hold on (but never too tight) to that intention every time I walk away from one of their shows. So lighten up, and bury the Meatstick! 🙂

SFJ: In that moment, what were you thinking, if anything at all? Phish obviously brings you immense joy – What is it about this band and community that takes you to that point of euphoria?

HC: What I’m concentrating on at Phish shows is connectivity – less of a single thought and more of an emptying of mind, expectation, restraint, and turning my attention to everything I can soak up out of every little moment. Becoming a sponge or empty vessel – I let the music course through me, allowing it to undo any tensions I have mentally, physically, or emotionally. They’re my connection to source, a connection to my Self. Each passing year we all undergo trauma to the mind, body, and soul – kinks that need to be worked out through our own preferred method, and Phish is my way of release. The community of Phans is, of course, a beautiful support system as well that feeds my flame. I’ve gone to many shows alone and have felt completely at home, safe, and loved in a crowd of strangers. To then dance with them for 3 hours forms a bond that is hard to match elsewhere. Then to have all these people you’ve met and befriended across the nation, it’s like starting a fire from tinder pieces.

Alpine 2015, Night Two, Lot. The Harry Ladies (They really wanted a Harry Hood that night, and in their excited state kept saying "Haaaaarryyyy, Haaaarrrryyy!" in Heather's ear)

SFJ: When, where, and how did your love affair with Phish start?

HC: A friend gave me a copy of Island Tour ’98 and said with a smile, “To get you hooked.” Not thinking much of it, I gave it a listen on my way to work. 4/2/98 Stash 13:22 made my eyes water and ears fall in love. The contrast of the chaos to the bliss was too easy for me to relate to. I didn’t want to leave my car. I didn’t want to go in to work, and I like my job! I wanted to sit there and listen to them for another moment…and another…and another… I was enchanted. After that, I listened to everything I could get my hands on – live and recorded – and started attending shows as often as possible. “Was it for this my life I sought?” 💓

SFJ: As a community, I’d say we’re nine parts love & light, and one-part stuff that’s troubling. Whether from the nitrous scene, to tarpers, GA etiquette, or the rising awareness of female Phan harassment, as a Phan yourself, is there any particular trend that concerns you in the Phishaverse today? Any ideas on how to rectify the issue(s), if there’s any issue(s) at all?

HC: This is an unfolding view of what happens when people are set free. It’s difficult to find the balance when people have different moral codes within that freedom. Without paying close attention, greed, overindulgence, and disrespect of all kinds seeps its way in through unseen cracks and decides to stick around for a while beleaguering equilibrium. What each of us can do to rectify these happenings is to observe the choices we each make and ask our freest selves within us if this is the environment we are truly wanting to foster. In regards to sexual harassment at shows, when it involves another person’s safety and comfort, being courageous and speaking up when we see disrespectful behavior around us is a huge step we can take and a responsibility we all have. We can’t force a change, all we can do is lead by example towards a more healthy, loving, and wholesome community.

SFJ: What’s your favorite thing about Phish?

HC: My favorite thing about Phish is how they bring hundreds of thousands of people together for a live experience and how they concentrate our attention for extended periods of time. For many of us, they are a form of meditation to guide us to our individual interpretation of freedom and happiness, so we can take that freedom and happiness and spread it around when we leave the shows. We take them and their lessons with us, that is an absolutely incredible accomplishment! It’s how minds are opened, it’s how change becomes workable.

SFJ: If you could ask one band member one question, who and what would it be?

HC: Trey, may I live in your pocket?

Seriously though, the band has been answering many of my unspoken questions since I began to pay attention – most of the questions came in forms I wouldn’t know how to pose succinctly or verbally, but I feel there’s already a healthy conversation that happens between artist and audience/audience member.

Heather at Dick's '16 - Swingin' Dick's - rocking super appropriate head gear! - Photo Credit: Michael Howard

SFJ: Request time: Name a song you’ve been chasing, but have never gotten?

HC: Bye Bye Foot or Shafty. There are so many I haven’t caught yet that I would love to hear live, but I know each one comes in its own time and place and if you go around expecting and wishing, you may miss many magical moments being gifted to you right then.

SFJ: If you could sum up this whole Meatstick Girl experience in three words and/or a phrase, what would they be?

HC:

Three words: “Shocks my brain!”

Phrase: After Meatstick, you chop wood and carry water.

SFJ: Any causes or charities close to your heart that you’d like to give a shout out?

HC:

🐠

So other than the happenstance of being caught on camera, what makes Meatstick Girl and her webcast cohorts so unique? I believe we see ourselves in these isolated moments, and in turn make these folks Phish famous to celebrate US! For those that get it, we have all been enraptured in the frenzied excitement of a Meatstick Girl moment, or worn the face of stupefied awe while a song was peaking, just like Hood Boy. Heather framed it best when she quoted The Beatles verse above – “I am he as you are he as you are me and we are all together.” Trey told us “The Walrus was Jimmy,” yet perhaps he was really saying the Walrus is us all!

Before she was Meatstick Girl - Heather in all her glory soaking in the beauty that is TAB at Red Rocks - 5/31/17 - Photo Credit: Miles Chrisinger

Thank you to Heather Craig, aka Meatstick Girl, for wholeheartedly throwing yourself into this Q&A! You’ve not only awed us with your dancing, but now your prose.

Answers by Heather Craig, 
Questions & Paragraphs by Russell S. Glowatz

 

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It Ain’t Love & Light All The Time: Making GA Better At Phish

by Russell S. Glowatz

Some people don’t think there is a problem. Other people believe it’s a small problem. Then there’s the folks that are sure the whole thing is blown out of proportion. Then there are the cats that just don’t care. GA issues, Phamily. This writer believes they are real, and has heard enough firsthand accounts from people on Facebook, in personal discussion, and has seen enough to know something’s awry. Maybe things have been the way they are for a long time, or throughout the entire history of Phish shows with general admission sections. Yet lately, as the chatter increases to such immense levels, it might get to the point where those in charge have no choice but to change it up.

Recently I wrote an article, Wilson, We Have A Problem: Ruminations on the Rumble at Dicks – It’s Only a Symptom, about entitlement and privilege in GA. I feel like I made a lot of good points, some people say bad points, yet needless to say through publishing that piece I’ve come to learn how provocative the subject remains with passion abound on all sides. One thing I failed to do in that previous piece was to provide any solutions. Now I got one. Before I dive in, I don’t pertain to be any expert on the workings of crowd control at concerts. I’m just a Phan like you that has an idea that could alleviate some (some being the opportune word) of the issues surrounding privilege and congestion in GA.

Firstly, rail riders will be pissed at my idea, and maybe me too, merely for presenting my opinion. Secondly, I cannot please everyone with what I say and I know that going in (still gonna say it though). Lastly, many have mentioned that the only true solution to the woes in GA is to go fully back to assigned seating on the floor. I believe there’s another solution that could mitigate many issues while saving our precious GA space to boot. Whether or not this is a viable solution, my hope is to stir constructive discussion on the topic. Maybe one of you has a major answer sitting on the tip of your tongue. Maybe by voicing it in a positive and nuanced way, someone that can do something about it will hear you.

So my idea is simple: Create a separate “pit” section at the front of GA (say roughly 10 rows-ish back). When all GA ticket holders enter the show, some will be randomly awarded special bracelets for the pit. One bracelet type will be for the first set, and another for the second. The pit will be cleared at set break to allow set two bracelet holders a chance to get up front. Adding to that, the tarp and blanket ban should stay in effect.

I wholeheartedly see this as a way to diffuse much of the craziness happening towards the front of GA, and also completely disband this kind of privileged group at the front of the stage. To the rail riders, I understand you put in the time and wait long hours, and under the current regime, you deserve your spaces. You work for them! Yet it just seems so stale when the people upfront contend to more or less know everyone that’s usually up there. It seems, even self admittedly, that the crowd more or less stays similar through entire tours (or entire legs of tours). Then there’s the other crowd of people who think it’s okay to push all the way up to the front when that area is already occupied. This Pit concept would alleviate the issues and pressure coming from both sides of the coin.

I think it’s high time to try something new! Too many negative reports coming from the front of GA. With the aforementioned idea (or one similar to it) we also will not lose GA to assigned seating, yet might just ameliorate the issue. #My2Cents

UPDATE: I’ve been alerted to a similar idea that’s already in play at Bruce Springsteen shows…and it’s been working!

You can find a link to the Boss’ Pit/GA policy here.

Thanks to Jason Goldstein & Paul Copoulos for pointing this out!

© Stand For Jam, 2017.

 

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Wilson, We Have A Problem: Ruminations on the Rumble at Dick’s – It’s Only a Symptom

by Russell S. Glowatz

Last night Phish made their long-awaited return to Dick’s Sporting Goods park for their 7th annual showcase in the storied Rocky Mountain venue, and while the scene was generally vibrant, some bad juju was simmering just below the surface. During set break, and in clear view of all those watching the LivePhish webcast, a fairly ferocious fight broke out at the front of the floor. While the details are hairy, one thing is abundantly clear; this type of behavior has no place at a Phish show and simply serves to threaten the good-natured, good-vibed,  general goodness that our scene regularly manifests.

Speculation is rampant on the interweb, yet no one but those directly involved, and in the immediate periphery, truly knows what went down. Did a dude hit too hard on someone else’s girl? Was an accidental spill of a beer on someone’s heady threads the impetus for this knock down? The consensus says no, and that this tussle had everything to do with someone getting in another’s claimed space. 

Straight up, at a general admission show, no one has claimed space. That’s simply the nature of general admission. Sure, you can lock down a spot, perhaps hold it down with a small towel or blanket, for a friend or two, while waiting for the festivities to begin. Happily, Phish management has quashed the tarping fiasco prevalent at the outset of summer tour by banning tarps altogether (Tarps are banned at Dick’s, right?!). Yet still, up front at these shows, a general essence of anxiety and entitlement remains when it comes to space.

The words “entitlement” and “Phish” should never be used in the same sentence. Ever. But here we are. There is a growing sense of privilege in placement in general admission environments, and the smell of douchebaggery is wafting widely over the whole scene. If you enter early into a show to lock down one of those coveted upfront spots, all the power to ya! Yet if you walk away for a piss break, a beer run, or whatever else, there’s no guarantee that spot will be waiting upon return. Usually in such circumstances, folks in the area (maybe your friends!) will remember you, and make way to welcome you back into the fold. Yet if that’s not possible, use your words, not your fists to rectify the problem. And the option always exists to find another spot too; sometimes a change in view, mid-show, is just what the doctor ordered.

If you were on hippie time prior to your arrival on the floor, and the front is already packed to the rafters, you are not entitled to smash your way through the crowd. Getting up in phans faces in order to find a better vantage point is the epitome of disrespect, a disrespect for the time those folks kept their asses planted for sometimes upwards of an hour before show time. There’s so many freewheeling, dance friendly, sound solid, spots towards the back and the wings; find one of those and be grateful you’re on the floor for the greatest show on earth. Since no one is entitled in general admission, you might even find an opportunity to better position yourself for set two.

A message to the rail riders: I watched you closely during The Bakers Dozen, and you kids throw down like Chinatown on Mao Tse Tung’s birthday. I’m super impressed with your exuberance and vigor, yet I’m a little unsure of how that whole process works. Is there some type of bracelet system where you wait online all night to get dibs on first entry? You folks obviously commit a massive amount of time and energy to lock down those golden spots. I respect the dedication. Do you wear diapers to get through that epic wait? Not since Moses hurriedly led the Exodus out of Egypt have folks committed to such a tumultuous trial for a face melting payoff! Is the rail truly the land of milk and honey?! I’ve never had the pleasure myself, and odds are it’ll never happen as the number line keeps ticking forward, but it’d be phantastic to have that opportunity, just once.

However, I digress…Lately, there’s a sourness spreading around about your sub-scene as well. Stories are abound that folks pay squatters to wait in the rail line all day, while the ultimate rail rider goes about other pre-show business. That sounds a bit Machiavellian to me, and the preferred philosopher of mobsters (truth!) really has no place at a Phish show. If your aim is early entry, you damn well sit in the trenches with your fellow Phans, and that way the juice will be that much tastier as you personally took the time to squeeze. The ends should never justify the means at a Phish show. How you go about achieving your goals is as karmically as important as whether Trey is in spitting distance once the show begins.

As a fan base, it seems high time we have a scene wide discussion about general admission etiquette going forward. While the tarper memes and joke cracking is hilarious, I’m beginning to think it’s exacerbating the situation at hand. By and large, Phans do it right. We use our words, tact, common sense, and apply a mutual respect towards each other that usually leaves the scene as harmonious as ever. Yet with Phish playing less shows than they used to, and the fan base simultaneously expanding, a recipe for disaster is formulating, and it might just manifest a gumbo of catastrophe on the horizon. Stoking a respectful and mindful conversation about these issues might very well lead to some steam being released from the pressure valve. And I know the band is peripherally aware of Phan discussions on the net as well, so perhaps they’ll come up with some mindful solutions too.

Generally, it comes down to common sense, a mutual respect with our fellow Phans, communication with words, not just body language, and the golden rule. Do unto others, as you wish them to do unto you…or something like that. You get the gist. That Jesus cat dropped some timeless bombs of wisdom.

So, this frenetic fight caught on LivePhish last night was merely a symptom of a larger problem. A dilemma we can easily deal with as a conscientious community of committed Phans. The question we should all be asking ourselves is, do we want to be like Bassnectar fans? Do we want the reputation of resorting to sheer disrespect and violence to lock down our spot next to the band? Do we want the Phish scene to devolve into the chaos of the latter days of the Grateful Dead? Me thinks not. The Phan community is of equal importance in this guy’s eyes to the band itself. You are who makes this scene so serene, magnificent, and marvelous, while Phish provides the celestial soundtrack. It’s “so stupendous, living in this tube!”

 

© Stand For Jam, 2017.
 
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🤔 fighting at Phish!? I don’t like this.. #phish #phishdicks

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Leaked!!! PHISH New Years Stunt 2017: Maybe So and Maybe Not

EXCLUSIVE: An anonymous source, from the upper echelons in Phish camp, leaked an early draft of the 2017 New Years Stunt! Between you and I, all signs point to Mike's Lipstick Tech as the culprit...

graphic credit: @tricecat (Instagram)

Set Opens:

  • Stage is dark, spotlight appears on Page already at his keys. He’s in a black suit jacket, tie & blue jeans (dressed familiar, like someone we love to loathe)…
  • Page opens Prelude/Angry Young Man*…
  • Crowd goes wild, with a few intermittent boos, woos, and hisses…
  • Song proceeds passed intro, with Page on vocals, and lights rise to reveal the rest of the band as they dive deep, reimagining the tune as their own…
  • Mid Prelude-jam, a troupe of dancing mechanics in blue collar jumpsuits (led by a Christie Brinkley impersonator – think Uptown Girl music video circa 1983) walk out from stage left to take positions on risers behind, and in front of the band. They begin to do a broadway style dance while singing verses from the song (Trey inserts Allentown teases). More angry young blue collar mechanics are lowered from the ceiling, completing epic acrobatic stunts while joining in song…
  • This Broadwayesque spectacle continues for a moment, when all of a sudden, what appears to be a drunken disheveled man (dressed in a Jon Fishman muumuu) stumbles in from side stage…
  • He begins to sing the “Stop right there! I gotta know right now! Before we go any further! Do you love me?” verse from Meatloaf’s “Paradise By The Dashboard Light”…
  • Security is in hot pursuit (circa Naked Guy Out Of Control 2009) but Trey waves them off…its Billy Joel!
  • Billy’s medley is interrupted when Fish suggests they all let bygones be bygones
  • Billy heads over to the keys, and joins Page on “Army Of One%.” The Chairmen Of The Boards duel on vocal verses and keyboard riffs…
  • Billy clearly bests Page in this jaunt, and the crowd boos in disapproval. Page leaves the stage in shame, while the rest of the band joins with Billy to complete “Army Of One.”…
  • Trey incorporates We Didn’t Start The Fire references, while taking the song deep into type II territory. Billy Joel now seems in over his head…
  • Page miraculously reappears strapped with a keytar as the type II jam peaks in blissful terrain…
  • Page drops a keytar bomb of such magnitude, it rattles the Garden, and knocks Billy Joel off his feet…
  • New years countdown begins (10, 9, 8…)
  • Joel is taken offstage in a stretcher by paramedics in the midst of Auld Lang Syne…
  • Phans’ rejoice and the band launches into an unprecedented up tempo Billy Breathes+…
  • Incorporates Allentown teases, w/ Angry Young Man lyrics…
  • Billy Breathes segues into Goodnight Saigon#>Allentown#>Goodnight Saigon>Pressure@>2001…
  • At this point, Billy Joel busts back on stage in a hospital gown, and his mask is quickly torn off by security…it was really CK5 the entire time!
  • CK5 exclaims “I would’ve gotten away with it too, if it wasn’t for you meddling phans!”
  • ENCORE: Character Zero^

*   – Phish debut, with Allentown teases by Trey
% – We Didn’t Start The Fire references by Trey
+  – Allentown tease with Angry Young Man lyrics
#  – Phish debut
@ – Phish debut, unfinished, with a Moma Dance jam
^  – During Character Zero, Mike teases Scooby Doo, Where Are You? theme song

  • Prelude/Angry Young Man featured a dancing troupe of acrobatic mechanics led by a Christie Brinkley impersonator
Phantasy Stunt by Russell S. Glowatz

© Stand For Jam, 2017.

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Hide Your Kids, Hide Your Wife: The Phish Is Coming To Town 

by Russell S. Glowatz

The majestic moment of magnificent bliss we’ve all been waiting for, the bombastic blockbuster of the summer, highly anticipated by Phans across the planet, is finally upon us. TODAY! In a short few hours, the epic 13-day residency by Phish at Madison Square Garden will commence. If the five show dress rehearsal that took place in Chicago, Dayton, and Pittsburgh, is any guide, we are in for an epic treat come Friday evening. All speculation points towards the Baker’s Dozen finding a high regarded place in Phishtory. The unique residential nature of the run at an indoor venue in the summertime has already been the talk of the town for quite some time. Since night one of Northerly Island, we’ve been collectively drooling over CK5’s massively mobile lighting rig. And if the boys deliver, which they certainly will on many, if not all nights of the run, we’re in for a spectacular exhibition in musical madness and psychedelic sorcery.

While the saying, “we are everywhere,” remains potently true in most corners of the planet, the phrase will take on new form over the next two weeks, as Phans from all throughout the world, of all shapes, sizes, colors, and creeds, will flock to the Big Apple in joyous delight. As each night’s Phishy extravaganza will only take up a fraction of our day, we’ll have lots of time to explore what the greatest city on Earth has to offer. Phans will be in coffee shops, pizza places, movie theatres, yoga studios, parks, museums, bars, hotels, massage parlors, restaurants, on the tops of skyscrapers (because they are grand after all), etcetera, etcetera, etcetera. Even an avid Phish Head chiropractor is offering special rates on adjustments for Phans in need all throughout the Dozen. As we traverse the city formerly known as New Amsterdam, wave that phreak flag wide and high. Let us know who you are, and if you’re not a #TarpNazi, chances are we’ll get along famously. New phriendships will manifest, new relationships formed. Maybe you’ll meet the future love of your life?! With the greatest spectacle known to mankind laying down roots in the finest city on this side of the Milky Way, anything is possible. In this time of the season, the 50th anniversary of the Summer of Love, Phish and New York City will throw down like never before.


There will be countless Phish-related events to check out, from pre-show booze cruises (see you at DeadPhishOrchestra!), to post-show late night euphonious extravaganzas. There will be kid oriented Phish cover bands playing (you don’t really need to hide your kids, or wives for that matter! The more the merrier!!!), and Phish-themed spin classes are very much a thing too! Where better to detox fresh for next night’s rowdy rager?! American Beauty, a bar and music venue down the block from MSG will be holding an inside shakedown of sorts, where you can find those goodies, from food, crafts, and beyond, that you’d normally seek out in summertime lots. Long story short, there’s something for everyone out there, even the most phinicky Phan can take pleasure.


When they say they circus is coming to town, they weren’t shitting you. The everyday earthlings might confront confusion when crossing through our scene outside MSG and beyond, but by and large our kind community will treat those bystanders with love and affection, and maybe even encourage a few to let loose and get down. This ain’t no fucking Barnum & Bailey. No animals were harmed in the making of this extravaganza! Maybe some braincells were lost, but the sacrifice is minute, paralleled with the payoff. We are a beautiful people! Except the Tarpers of course, who should leave their giant plastic sheets in their hotel rooms. Feel free to tarp your hotel bed, or build a sweet fort while you’re at it, but keep those synthetic monstrosities far away from the floor at MSG. Phans barely tolerate you as is, and I highly doubt MSG staff will be sympathetic to your cause to lock down a 30 by 30 space for you and your fifteen closest imaginary friends. You’ve taken much heat over the last week, Tarpers, but you really deserved it all. Yet you are Phans, which implies you might just be intelligent. Please take a clue and leave your pool covers and rolls of duct tape at home. Remember: “the love you take, is equal to the love you make.” Don’t be douchebags. It’s a simple request.

So in the end, I wrote this little piece in haste because I felt the need to put something on paper before we ascend into our psychedelic Phish-hole. Usually I take an inordinate amount of time to edit and proofread the drivel I publish, because it has my name on it, and I tend to be a maniacal about things I hold near and dear. Perhaps I’ve said nothing new here, or maybe you picked up a gem of inspiration that’ll be useful for your jovial journey into the imminent metropolitan musical mayhem. If you’re interested in any of the countless Phish-themed events taking place over the next weeks, please hit google to find out the details, or better yet, Facebook (I’d link you myself, but I’m too busy getting ready for the Dozen!).To say I’m psyched for this 13 show rodeo to commence, is the understatement of the millennium. This will be the highlight of my summer, as I’m sure is the case for many. While some of us will find ourselves with enough wind at our backs to scarf down all 13 shows, others will take what we can get and make the most of our experience. Cashing in on the goodness of our circumstance is always the aim. So as you traverse these great United States on your voyage to the city that never sleeps, please drive safe and take it slow. Once you’re here, I pray you rage to your heart’s desire, but please rage responsibly. Look out for yourselves. Hydration, hydration, hydration! And pay mind to your neighbors whether you personally know them or not. Let’s take mind of each other and be the big happy phamily we’re meant to be. If you perceive something as wrong, please speak up. If you think a phan is in trouble, please ask them if they’re alright. The worst that might happen is a silly misunderstanding. The best result could be one’s rescue from undesirable elements, and saving a stranger from years of trauma. Common sense pholks…it goes a super long way. We have the ability to police ourselves when need be, by merely speaking up. Posting a picture of a perceived wrong to Facebook will not solve the problem. Open your minds and hearts to your neighbors, and use your words people, not your smartphone cameras. Positivity will reign freely if we just let common sense be our guide. We don’t need no stinking badges! We can police ourselves with minimal intrusion, and for the rest of the time: live and let live! Peace, love, and Phish. Our trip is short…see you soon 🙂

© Watts Glow Grateful Productions, 2017.

 
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