Vibrating With Love, Light & Phish – The Baker’s Dozen Revisited

The Love is in The Journey, and the Juice Was Worth the Squeeze

Screenshot via LivePhish – 8/6/17 – Glaze
by Russell S. Glowatz

It all began with a chance encounter with Sam Cutler at the Joe Russo’s Almost Dead show on July 21, 2017. An epic weekend was sprawled out before me, beginning with JRAD, before catapulting head first into The Baker’s Dozen on night two – strawberry donut night. Sam was extremely gracious – we discussed his part in Long Strange Trip, and he took a moment to take a photograph. I was enamored by the meeting, and thought it to be a good omen setting out upon my musical journey. Little did I know that only a few days later, Sam would head to a Phish show as well, proceeding to sodomize our favorite band in a scathing Facebook review. 

The encounter and subsequent “eff you” he laid out in glorious fashion on the internet, highlights the intricate web that’s often weaved when seeing Phish. That photo of us was first a point of pride, yet quickly became a moment of chagrin before swiftly transcending into the hilarious heirloom it currently remains. It’s a mix of kismet and karma, with a dash of humor, and the joke is always on us! Over the course of The Baker’s Dozen, Phish enthralled us with what they do best – a fusion of supreme song, epic jams, and harmonious humor running the gamut from donut themes, to transcendent “Lawn Boy” improvisation. As a clan we pick up on the synchronicity and jocularity, throw it back in the bands face, only for them to flip it back on us. 

Is This Still Lawn Boy? via Etsy.com
Via LivePhish webcast – Intermission – 8/4/17 – Lemon

Recently laid off, setting out upon the world of donuts was going to be a frugal affair by necessity. Budget and logistics permitting, I would be lucky to attend two of these shows – maybe three if the donut-shaped universe was on my side. Little did I know that when all was said and done, I’d have the pleasure to experience seven glorious Baker’s Dozen performances in person, with a few more on the couch to boot – and through all of this, I still had a few bucks in the bank at the end of session. It was the most pleasant surprise, and served as a stupendous silver lining atop of my newfound unemployment.

Perched at my seat in the riser section for night two, my first foray into a world that runs on dunkin’, a Phan walked by and handed me a fresh pack of pocket tissues – He said “You’re gonna need these bro – You’re gonna cry tonight!” While tears never materialized (until “On The Road Again” of course) , I certainly cried “Joy” on the inside, and this portable pack of tissues came in handy for the entirety of the run. Every night I carried those tissues in my pocket, and nearly every night they were used by myself or a Phan in need nearby. And when the mid-run Baker’s Dozen wook flu hit me like a bat out of hell, the tissues were there to soothe my soul. Thank you tissue man, not only for gifting me extremely handy show gear, but for reminding me that with the right attitude, you will always get what you need when you need it, if you give what you can when you can.  

Via LivePhish webcast – Intermission – 8/4/17 – Lemon

The law of attraction on steroids is often what many experience at shows and festivals, and this small yet relevant tissue saga serves to highlight that phenomenon. Little karmic anomalies dotted my whole run at YEMSG, from buying a bar stool ticket by accident on Jam night (turned out to be the best mistake ever!) to getting a miracle ticket on Powder night. That miracle ticket led me to taking in a show with one of my oldest friends – we haven’t been at Phish together since Jones Beach on the reunion tour, so it was a special moment to say the least – we partied like it was 2009. Showing up on Maple night with the expectation of a Jerry song (since it was his 75th birthday) – and getting a Drums & Space nod mid “46 Days” – plus a “Rock ‘n’ Roll Suicide” encore instead – reminded me to never have expectations at a Phish show. When I showed up with zero expectations the next night to Holes, I was rewarded with one of the greatest shows of my lifetime. With positivity and a heightened karmic awareness, synchronicity is boundless – and as a collective we achieved something otherworldly at The Baker’s Dozen – not everyone in the building felt it – yet most did – Lift off!

Holes – 7/2/17

When it comes down to it, we all know it’s more than just a show, just a run, or just a festival – this is a community, our community, a lifestyle we choose to live and love. The Baker’s Dozen embodied the goodness that the Phish community offers in the most magnificent way. We laughed, we danced, we cried, we sang. We were stupefied, awestruck, amazed, and blazed. We made new phriends, met up with old compatriots, and ran into folks we never thought we’d see again. We tried new things, like Section 119 Spicy Chicken Sandwiches, or “Strawberry Letter 23” – And we basked in the familiarity of old things, like a favorite Phish t-shirt, Trey’s spaced guitar face, and the Meatstick Dance. This was more than a residency of shows – this was a fleeting love affair with a band beyond description and its eclectic followers. The feeling will certainly be revisited at shows in the future, yet it will be different by then – a different time, a different space, a different energy. 

If one could bottle the dynamism of The Baker’s Dozen and distribute it far and wide, it wouldn’t be The Baker’s Dozen anymore. Just like everyone that experienced The Great Went, Big Cypress, Lemonwheel, or IT, this run slipped through our fingers as quickly as it arrived – and that’s the beauty of it! For a meteoric moment in time we experienced a flash in a pan, so bright, so beautiful, so full of boundless love, we’ll take memories of it with us through the rest of our existence. Now it lives in our photographs, videos, the soundboards, and our collective consciousness for eternity. This was a redefining run for Phish – and for me – an array of events that has catapulted my life and creative sensibilities in a new direction. All these weeks later, with a New Year’s extravaganza on the horizon, I’m still buzzing, as I’m sure are many of you.  

Photo Credit – René HuemerPhish From The Road

Love, light, and good vibrations to you all. To the countless new phriends I made at The Dozen, until we meet again – see you for another Garden New Year’s in a few months. Our trip is short to YEMSG reprise – Seventeen in Seventeen! “When you bait the hook with your heart, the [Phish] will always bite.” 

Photo Credit – René HuemerPhish From The Road
Hoodboy is What’s Eating Gilbert Grape by N13

Copyright © 2017 Stand For Jam™️

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Phish Just Dropped The Sweetest New Years Gag – Shana Tovah!

by Russell S. Glowatz

L’shana Tovah Tikateyvu! Phish does what they do best, and played a silly awesome joke on us with the announcement of New Year’s Run 2017 on the eve of the Jewish new year. Rosh Hashanah and 5778 will start off with a bang thanks to Phish. As half the band falls squarely in the Jewish camp, the nuance of announcing the run on this date may fly over some Phans heads, but not this Hebrew fella here. While I never thought it possible, my love for this band just jumped up a notch. Was this a coincidence? Maybe. Was it a planned, yet subtle joke? Likely. These guys rock the gags almost as well as their instruments – And it looks like we might get that 2017 Avenu Malkenu after all!

While this was the worst kept secret in the Phishaverse since the very end of The Baker’s Dozen, it’s now official and feels oh so sweet. Seventeen shows in 2017 is happening – Even Billy Joel can’t compete with a record run like this. When Phish is all said and done, they will have played 56 shows at Madison Square Garden, since their debut at the World’s Most Famous Arena on December 30, 1994.  

For the 2017 New Year’s extravaganza, we are graced with a perfect show weekend, as New Year’s Eve falls on a Sunday – And a Thursday to Sunday News Year’s Run falls in that magic sweet spot. Supercalifragilisticexpialidocious is the only word that comes to mind as thoughts turn towards New Year’s in every way imaginable. Into The Garden we go again for another Phish pageant of perfection! 

Down to the details – The lottery pre-sale is already underway via Phish Tickets, and ends on Monday October 2, at 10 a.m. EST. Public on-sale for all the shows are scheduled for Friday October 6, at 12 p.m. EST. A limited number of 4-day passes are available. The rest of the brass tacks are available via the above link. Much luck to all on their quest for golden tickets!

Apples & honey, challah french toast, and Phish…ohhh myyyyy! Love and light to all of you in the New Year!

Copyright © 2017 Stand For Jam™️

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Leaked!!! PHISH New Years Stunt 2017: Maybe So and Maybe Not

EXCLUSIVE: An anonymous source, from the upper echelons in Phish camp, leaked an early draft of the 2017 New Years Stunt! Between you and I, all signs point to Mike's Lipstick Tech as the culprit...

graphic credit: @tricecat (Instagram)

Set Opens:

  • Stage is dark, spotlight appears on Page already at his keys. He’s in a black suit jacket, tie & blue jeans (dressed familiar, like someone we love to loathe)…
  • Page opens Prelude/Angry Young Man*…
  • Crowd goes wild, with a few intermittent boos, woos, and hisses…
  • Song proceeds passed intro, with Page on vocals, and lights rise to reveal the rest of the band as they dive deep, reimagining the tune as their own…
  • Mid Prelude-jam, a troupe of dancing mechanics in blue collar jumpsuits (led by a Christie Brinkley impersonator – think Uptown Girl music video circa 1983) walk out from stage left to take positions on risers behind, and in front of the band. They begin to do a broadway style dance while singing verses from the song (Trey inserts Allentown teases). More angry young blue collar mechanics are lowered from the ceiling, completing epic acrobatic stunts while joining in song…
  • This Broadwayesque spectacle continues for a moment, when all of a sudden, what appears to be a drunken disheveled man (dressed in a Jon Fishman muumuu) stumbles in from side stage…
  • He begins to sing the “Stop right there! I gotta know right now! Before we go any further! Do you love me?” verse from Meatloaf’s “Paradise By The Dashboard Light”…
  • Security is in hot pursuit (circa Naked Guy Out Of Control 2009) but Trey waves them off…its Billy Joel!
  • Billy’s medley is interrupted when Fish suggests they all let bygones be bygones
  • Billy heads over to the keys, and joins Page on “Army Of One%.” The Chairmen Of The Boards duel on vocal verses and keyboard riffs…
  • Billy clearly bests Page in this jaunt, and the crowd boos in disapproval. Page leaves the stage in shame, while the rest of the band joins with Billy to complete “Army Of One.”…
  • Trey incorporates We Didn’t Start The Fire references, while taking the song deep into type II territory. Billy Joel now seems in over his head…
  • Page miraculously reappears strapped with a keytar as the type II jam peaks in blissful terrain…
  • Page drops a keytar bomb of such magnitude, it rattles the Garden, and knocks Billy Joel off his feet…
  • New years countdown begins (10, 9, 8…)
  • Joel is taken offstage in a stretcher by paramedics in the midst of Auld Lang Syne…
  • Phans’ rejoice and the band launches into an unprecedented up tempo Billy Breathes+…
  • Incorporates Allentown teases, w/ Angry Young Man lyrics…
  • Billy Breathes segues into Goodnight Saigon#>Allentown#>Goodnight Saigon>Pressure@>2001…
  • At this point, Billy Joel busts back on stage in a hospital gown, and his mask is quickly torn off by security…it was really CK5 the entire time!
  • CK5 exclaims “I would’ve gotten away with it too, if it wasn’t for you meddling phans!”
  • ENCORE: Character Zero^

*   – Phish debut, with Allentown teases by Trey
% – We Didn’t Start The Fire references by Trey
+  – Allentown tease with Angry Young Man lyrics
#  – Phish debut
@ – Phish debut, unfinished, with a Moma Dance jam
^  – During Character Zero, Mike teases Scooby Doo, Where Are You? theme song

  • Prelude/Angry Young Man featured a dancing troupe of acrobatic mechanics led by a Christie Brinkley impersonator
Phantasy Stunt by Russell S. Glowatz

© Stand For Jam, 2017.

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Fare Thee Well Was Just The Beginning: Celebrating the Choicest 21st Century Year of Phish & the Dead

by Russell S. Glowatz

 With the New Year upon us, it’s a fitting time to reflect upon the sorcerous year of song currently reaching its conclusion. Musicians across the JamBandaverse have been no doubt firing on all cylinders in 2015, with this energy largely manifesting from the top down, originating from Phish and the surviving members of the Grateful Dead. While I believe trickle-down economics is a big bowl of bullshit, the theory holds water when applied to the jam band scene. And our collective consciousness was given a shot of adrenaline from up top when in January, Fare Thee Well: Celebrating 50 Years of Grateful Dead was announced featuring Trey Anastasio at the helm. It all started there, and through months of preparation, and five transcendent Dead shows, Trey and the boys set the stage for a year in jam unrivaled in recent history.

Grateful Dead University was the most remarkable thing that happened to Trey since drug court. It admittedly tweaked him just right for the second half of 2015. In GDU, Bobby gave Trey a lesson in patience, and Trey allowed himself alone time with his extensive rig. These two facets in the reeducation of Trey, amongst a smattering of other things, set the scene for our favorite redhead to shine all over again. It’s not a stretch to name Big Red as the MVP of Fare Thee Well, let alone 2015 as “The Year of Trey.”

Through GD50, the best summer Phish tour in a generation, a smokin’ hot TAB fall tour, and what already looks like a New Years Run for the record books, Trey’s infectious energy has remained front and center. And as I’ve said in a previous Trey Band review, he’s contagious, as his magic manifests in the players around him wherever he goes. So as this Phish run rounds out, before we find ourselves on the other side of Riviera Maya itching for summer tour 2016, I’m gonna take a moment to thank the immediate Phish family, as they did to us in the final shot of the summer. United We Stand, and not a thing suggests that this string of unimaginable feats won’t continue into the New Year.

Onward to Dead & Company, part II of GD50, brought to us by three of the core four. Their fall tour was alchemical. With the incorporation of John Mayer into the mix, he has largely endeared himself to thousands of deadheads that not too long ago loathed his very existence. While Dead & Company in an all inclusive sense, has not nor ever will reach the heights of the magic embodied in Fare Thee Well (unless John Mayer can piss rainbows, that’d be an impossible feat), this past fall tour has been nothing less than an expectation exceeding modern reinvention of our favorite touring band. With Mayer and Oteil Burbridge seeded in the mix, Dead & Co. reached contemporarily unrivaled peaks, putting forth some of the finest versions of Grateful Dead songs since the days of Jerry.

And while the collective energy level of Santa Clara and Chicago will likely never be reached again, through camaraderie that can only be built in a touring band, the latest GD50 ensemble found themselves getting better all the time. Due to downtime, some ashes, glass, and rust needed to be wiped away during the first few New Years run shows, yet confidence that the band will bring it with them on this eve remains high. Bigger and brighter things lay in wait for Dead & Company if they choose to head out on their rumored 2016 summer tour, but in the present they’ve managed to carry that 50th anniversary magic with further vigor than has been displayed in years. Thanks boys for making 2015 extra special. You’ve inspired many a deadhead and jam band to reach for the skies in their respective endeavors.

So with the preeminent jam bands’ bringing it all back home in the last twelve months, many other acts have followed suit. While there’s no direct connection here, I firmly believe our collective scene energy has played a major part. Case in point, The String Cheese Incident also found themselves at the top of their game this year. The Disco Biscuits have all of a sudden been throwing down like it’s 2009 all over again. Umphrey’s, well they always kill it. Lots of younger acts have tapped in too. From Dopapod and Twiddle reaching new heights, both opening for String Cheese at Red Rocks this past summer, to unparalleled collaborations between Twiddle and the Werks on Twerk Tour, to magic manifested by Turkuaz, Tauk, etcetera, etcetera, all year long. These are only a few bands that quickly come to mind, as many unmentioned have also thrown their hats into this 2015 free-for-all.

In a nutshell, this year was immensely prosperous for fans, musicians, festival goers, and everyone that has a stake in this subculture. If 2016 serves to be half as fruitful, we’re in for a wild ride in the coming year, yet here’s hoping it’s better. To all in the jam band world, all that have supported my writing ventures over the past six months, and all those souls beyond, have a happy, healthy, and hopeful New Year! Next year in Jerusalem!!!

© Stand For Jam, 2015