Vibrating With Love, Light & Phish – The Baker’s Dozen Revisited

The Love is in The Journey, and the Juice Was Worth the Squeeze

Screenshot via LivePhish – 8/6/17 – Glaze
by Russell S. Glowatz

It all began with a chance encounter with Sam Cutler at the Joe Russo’s Almost Dead show on July 21, 2017. An epic weekend was sprawled out before me, beginning with JRAD, before catapulting head first into The Baker’s Dozen on night two – strawberry donut night. Sam was extremely gracious – we discussed his part in Long Strange Trip, and he took a moment to take a photograph. I was enamored by the meeting, and thought it to be a good omen setting out upon my musical journey. Little did I know that only a few days later, Sam would head to a Phish show as well, proceeding to sodomize our favorite band in a scathing Facebook review. 

The encounter and subsequent “eff you” he laid out in glorious fashion on the internet, highlights the intricate web that’s often weaved when seeing Phish. That photo of us was first a point of pride, yet quickly became a moment of chagrin before swiftly transcending into the hilarious heirloom it currently remains. It’s a mix of kismet and karma, with a dash of humor, and the joke is always on us! Over the course of The Baker’s Dozen, Phish enthralled us with what they do best – a fusion of supreme song, epic jams, and harmonious humor running the gamut from donut themes, to transcendent “Lawn Boy” improvisation. As a clan we pick up on the synchronicity and jocularity, throw it back in the bands face, only for them to flip it back on us. 

Is This Still Lawn Boy? via Etsy.com
Via LivePhish webcast – Intermission – 8/4/17 – Lemon

Recently laid off, setting out upon the world of donuts was going to be a frugal affair by necessity. Budget and logistics permitting, I would be lucky to attend two of these shows – maybe three if the donut-shaped universe was on my side. Little did I know that when all was said and done, I’d have the pleasure to experience seven glorious Baker’s Dozen performances in person, with a few more on the couch to boot – and through all of this, I still had a few bucks in the bank at the end of session. It was the most pleasant surprise, and served as a stupendous silver lining atop of my newfound unemployment.

Perched at my seat in the riser section for night two, my first foray into a world that runs on dunkin’, a Phan walked by and handed me a fresh pack of pocket tissues – He said “You’re gonna need these bro – You’re gonna cry tonight!” While tears never materialized (until “On The Road Again” of course) , I certainly cried “Joy” on the inside, and this portable pack of tissues came in handy for the entirety of the run. Every night I carried those tissues in my pocket, and nearly every night they were used by myself or a Phan in need nearby. And when the mid-run Baker’s Dozen wook flu hit me like a bat out of hell, the tissues were there to soothe my soul. Thank you tissue man, not only for gifting me extremely handy show gear, but for reminding me that with the right attitude, you will always get what you need when you need it, if you give what you can when you can.  

Via LivePhish webcast – Intermission – 8/4/17 – Lemon

The law of attraction on steroids is often what many experience at shows and festivals, and this small yet relevant tissue saga serves to highlight that phenomenon. Little karmic anomalies dotted my whole run at YEMSG, from buying a bar stool ticket by accident on Jam night (turned out to be the best mistake ever!) to getting a miracle ticket on Powder night. That miracle ticket led me to taking in a show with one of my oldest friends – we haven’t been at Phish together since Jones Beach on the reunion tour, so it was a special moment to say the least – we partied like it was 2009. Showing up on Maple night with the expectation of a Jerry song (since it was his 75th birthday) – and getting a Drums & Space nod mid “46 Days” – plus a “Rock ‘n’ Roll Suicide” encore instead – reminded me to never have expectations at a Phish show. When I showed up with zero expectations the next night to Holes, I was rewarded with one of the greatest shows of my lifetime. With positivity and a heightened karmic awareness, synchronicity is boundless – and as a collective we achieved something otherworldly at The Baker’s Dozen – not everyone in the building felt it – yet most did – Lift off!

Holes – 7/2/17

When it comes down to it, we all know it’s more than just a show, just a run, or just a festival – this is a community, our community, a lifestyle we choose to live and love. The Baker’s Dozen embodied the goodness that the Phish community offers in the most magnificent way. We laughed, we danced, we cried, we sang. We were stupefied, awestruck, amazed, and blazed. We made new phriends, met up with old compatriots, and ran into folks we never thought we’d see again. We tried new things, like Section 119 Spicy Chicken Sandwiches, or “Strawberry Letter 23” – And we basked in the familiarity of old things, like a favorite Phish t-shirt, Trey’s spaced guitar face, and the Meatstick Dance. This was more than a residency of shows – this was a fleeting love affair with a band beyond description and its eclectic followers. The feeling will certainly be revisited at shows in the future, yet it will be different by then – a different time, a different space, a different energy. 

If one could bottle the dynamism of The Baker’s Dozen and distribute it far and wide, it wouldn’t be The Baker’s Dozen anymore. Just like everyone that experienced The Great Went, Big Cypress, Lemonwheel, or IT, this run slipped through our fingers as quickly as it arrived – and that’s the beauty of it! For a meteoric moment in time we experienced a flash in a pan, so bright, so beautiful, so full of boundless love, we’ll take memories of it with us through the rest of our existence. Now it lives in our photographs, videos, the soundboards, and our collective consciousness for eternity. This was a redefining run for Phish – and for me – an array of events that has catapulted my life and creative sensibilities in a new direction. All these weeks later, with a New Year’s extravaganza on the horizon, I’m still buzzing, as I’m sure are many of you.  

Photo Credit – René HuemerPhish From The Road

Love, light, and good vibrations to you all. To the countless new phriends I made at The Dozen, until we meet again – see you for another Garden New Year’s in a few months. Our trip is short to YEMSG reprise – Seventeen in Seventeen! “When you bait the hook with your heart, the [Phish] will always bite.” 

Photo Credit – René HuemerPhish From The Road
Hoodboy is What’s Eating Gilbert Grape by N13

Copyright © 2017 Stand For Jam™️

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Can You Hear Me Bowie?

One of Bowie’s last photos. Posted on Friday, his 69th birthday, and taken by his longtime photographer, Jimmy King.

Cancer sucks! It ultimately took David Bowie down, but it did not beat him, as evidenced by this recent picture, posted Friday on his 69th birthday. While Bowie’s mortal vessel may have sank, his spirit lives on through recordings, the countless artists he’s inspired, and those souls he held close during his too short ride on planet earth. 

There will never be one like you again. A being that transcended so many boundaries and genres to touch diverse minds in every corner of this bright blue ball. We wish you rest and peace on this next stretch of your voyage. And while you are with us no longer, in this realm your legacy will carry you through.

-Russell 

No daylong David Bowie tribute would be complete without Seu Jorge weighing in…

Changes

And some Flight of the Conchords to brighten the mood…

Bowie’s In Space

Correction: This post originally stated that the above photo was taken on Bowie’s birthday. Rather it was posted on his birthday, but taken recently. 

Deadhead Lent and the Days Between

Russell’s Round Room 

Photo Credit: Dave Brickler
Photo Credit: Dave Brickler, All Photos Via www.gdao.org
by Russell S. Glowatz

Take any Grateful Dead song, and one can find countless meanings within. There is no exception with “Days Between,” the last true fusion of the beautiful minds of Jerry Garcia and Robert Hunter. A few songs have taken up special meaning since the death of Garcia, and with “He’s Gone,” Days Between has become a notable term in the Grateful Dead lexicon. While the ultimate Days Between, a celebration of the life and times of Jerry Garcia, takes place between August 1st and August 9th, the birth-date and death-date of Garcia respectively, I contend that the run-up to the Days Between, from the anniversary of the last Grateful Dead show on July 9th, to Jerry’s birthday on August 1st are special days as well, and compile our symbolic Lent.

While the Days Between came to fruition, first and foremost as a Jerry holiday, as the years go by it seems that this extended month-long observance is evolving into something greater. It has become a celebration of all we’ve lost, and all we still have in our deadhead community as a whole. This is our reflection time, an opportunity to deal with unresolved grief, a moment to look upon the past year, wrestle with the good and the bad, and even atone for any misdeeds we may have done. Truly a time for karmic contemplation, and joyous communion.

If one were to call the Grateful Dead community a religious phenomenon, or at the very least a spiritual one, Deadhead Lent and the Days Between are our High Holy Days. As certain days of significance, for Christians, scatter the path in the lead up to Easter, starting with Ash Wednesday as the symbolic beginning to conventional Lent, observances such as Palm Sunday and Good Friday cap off the Holy Week leading to a final celebration of the biblical anniversary of Jesus’ Resurrection. While I am near certain that neither Jerry Garcia, nor any other deceased members of the Grateful Dead have been resurrected, the handful of anniversaries observed during this month-long high holy period serve as symbolic reminders of various crossroads in Grateful Dead history. Deadhead Lent calls to mind a time when many deadheads found themselves wandering through the metaphorical wilderness in the early post-Jerry days. And while some essential moments fall outside the realm of these days, many use this time as a spiritual recognition of those anniversaries as well.

While Deadhead Lent is very different from conventional Lent, it embodies the lead up to our Holy Week that is the Days Between. It is in essence pertinent to our overall celebration for those that passed on, and a commemoration of those lost days in the immediate aftermath of the final Grateful Dead show and Jerry’s death. No one gives up meat, smoking, or anything else for Deadhead Lent, yet in similar ways, many Deadheads can get contemplative during this time. They often mourn community losses, atone for karmic sins, and ultimately strive to be penitent, cleansing themselves for the year that lies ahead. As Deadhead Lent winds down to a close, our Holy Week begins with Jerry’s birthday. This month of solemn anniversaries and jubilating remembrance has become our holiday of holidays. Since more or less every single show or event we attend is in spirit a holy day, this month provides a time for those that may not or can not actively attend shows to participate in mourning and celebration as well. It remains to be the highest of holy days celebrated by deadheads on an international level.

Yet since nothing is really defined within the deadhead community, no edict or announcement regarding these days was ever put forth in an official sense. Rather the observance emerged organically after Jerry passed on. The hazy denotation of the term Days Between encapsulates the non-dogmatic nature of the band and community’s ideals as reflected through various GD song lyrics. And while Deadhead Lent remains an informal notion, people have been marking this occasion for years without truly designating the space in time. Ask any deadhead why and when the Days Between occur, and what they do and how they feel in the leading weeks, while varying, you will get fairly similar answers. It is a tacitly approved holiday, celebrated on informal, personal, and sometimes community wide levels.

Miner, Stephen Dorian, “Vince Welnick,” Grateful Dead Archive Online, http://www.gdao.org/items/show/833345.
Photo Credit: Stephen Dorian Miner
Photo Credit: Michael A. Conway
Photo Credit: Michael A. Conway

As we mark the 50th anniversary of the Grateful Dead saga, 20 years since the last Grateful Dead show and Jerry’s passing, Deadhead Lent and the Days Between take on special meaning this year, and are likely being celebrated, in one way or another, by more deadheads than ever in years past. Whether it’s making a tribute post on Facebook for the anniversary of Brent’s last show or his death (25 years ago on 7/23/90 & 7/26/90 respectively), or putting on a show from ’77 in honor of Keith’s passing (35 years ago on 7/23/80), deadheads are making small gestures in remembrance across this great green Earth. It could be a blog post (as this is), heading to a grassroots type festival such as Grateful Fest in Ohio, or hitting up a bigger Dead oriented fest like Gathering of The Vibes in Connecticut (celebrating 20 years!) for Jerry’s birthday weekend. Large and small, deadheads are making gestures and pilgrimages alike in celebration of our unique community, and the boys who started it all, the members of the Grateful Dead.

Photo Credit: Robert
Photo Credit: Robert “Bob” A. Minkin
Keith Playing Guitar

So over this month of contemplation, consideration, and karmic realignment, I am sincerely hoping that all the deadheads out there, near and far, have or will take a moment from their day to celebrate in their own special way. There is no definitive procedure to properly take part in Deadhead Lent and the Days Between; you only need to consider yourself somehow a part of this harmonious circus, and do what you feel is special. If our cosmic energy aligns throughout these days, perhaps Jerry, Pigpen, Keith, Brent, Vince, various crew and GD family members of past time, will feel our collective stream of goodwill beaming towards them, wherever they are.

“There were days
and there were days
and there were days between
Summer flies and August dies
the world grows dark and mean…

Photo Source: Grateful Dead Archive Online All photos via www.gdao.org/
Photo Source: Grateful Dead Archive Online. All Photos Via www.gdao.org

…there were days between
polished like a golden bowl
the finest ever seen
Hearts of Summer held in trust
still tender, young and green…” —Robert Hunter

Stay green my friends, and through the good times and bad, do your best to keep the spirit alive. Happy Days!

© Watts Glow Grateful Productions, 2015

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